Showing posts with label nature. Show all posts
Showing posts with label nature. Show all posts

Thursday, 24 May 2012

Bloody hell, Max, why did you take the fecking apple?


The beauty of Serenity is that you, well…do your own thing.  Kim has picked out a few activities she thinks people might like but they’re all strictly optional.  And yesterday the opting went up the mountain to meet a …what?  A wise woman.  A wondrous witch.  A shamanka.  An Amazon.  I’m not sure Brigitte would describe herself that way; she’d probably settle for ‘phytotherapist’, a herbalist you might say.

She lives in a tiny village tucked away right up in the green mountains that rise up behind Nikiana and she is passionate, beyond passionate actually, about the Earth and the plants that grow on it. 
She took us on a walk – more of an amble really – stopping every few yards to investigate some plant, to learn its biology, its pharmacology, its mythology.  ‘We’re not conscious anymore,’ she said, with a sad shake of the head. ‘We don’t listen.  Each plant comes out at the right time to help us.  Like nettles in spring when we need to cleanse our bodies.’  It was intriguing – some of us loved the scent of plants that others hated. ‘Listen to your body,’ urged Brigitte. ‘Your tastes will tell you what you need.’ 

We learned which plants can help the circulation, which can ease migraine, which can boost the immune system, which can prevent balding.  At this point she fixed a beady look at Max, the only male in our little group.  ‘Men eh?  Too much testosterone.’  Max looked like he was stifling an apology.
‘I need to pee,’ said Claire, darting behind a bush before swiftly re-emerging.  ‘Umm, it is okay, isn’t it?  I mean, is it okay to pee here?’
As in, is it really okay to pee on the mound of wondrous sacred oregano we’d just been honouring?  We exchanged glances. Was it okay, or was it some kind of dastardly sacrilege?  It could have gone either way.
‘Of COURSE it’s okay,’ boomed Brigitte.  ‘We take from Nature, so we give back to Nature. Spit, pee, blood…is all good.’
Er…blood?  What was she up to out here? 
‘Menstrual blood,’ she said with relish.  ‘Blood is not dirty. Let the menstrual blood flow freely.’  We glanced at one another.  Apart from Max who looked…pained. 
‘We should bleed on the Earth... Tampons!’ spat Brigitte, turning it into a whole new swear-word. ‘Invented by men of course.’
Bloody men. Or not.

Eventually we fetched up at the abandoned monastery, Ayios Georgios.  Did any of us go to church, Brigitte asked.  Not particularly we said, apart from for the architecture of course. ‘Well, I’m nominally Christian,’ said Max and Brigitte gave him a kind of ‘yeah, right, well you would be, you patriarchal chauvinist MAN,’ look.
‘Adam and Eve, okay?’ she said, with a challenging stare.  ‘So Eve gave the apple to Adam but did he have to take it? Did he?’ She looked fiercely round the group and Max shuffled his feet.  ‘I mean,’ she continued. ‘He could say yes or no, right? He didn’t have to eat the apple. Hey, you men, don’t make us women responsible for your own choices!’  

Damnit Max, why did you take the fecking apple?  It’s all your fault, all this darn mess.  Jeez, who’d be a man? Son of weak-willed Adam, liable to baldness due to ineffective hormones, completely lacking in Earth-nourishing menstrual blood.  Bloody losers, huh?  

Bush and Obama got a bit of a tongue-lashing next, followed by a swift dismissal of the Vatican and religion and politics in general. ‘All those people killed in ‘holy’ wars, eh?  All those women they burned at the stake?  Where are their monuments?  And what about that commandment about killing?’  What indeed?  Truly she was magnificent, a wild-eyed Valkyrie, or should that be Athena of the flashing eyes? 
‘Don’t get me wrong,’ she said, with a pitying glance at Max. ‘I’m not anti-man.  Not at all. Just that we need balance. Yin and yang, light and dark.’

Inside the church we gazed on icons, we stared up at the broken wooden ceiling, still showing vestiges of its original blue (symbolizing the heavens).  Examined the rood screen with its acanthus winding around and its encircled cross, a version, Brigitte said, of the medicine wheel, the stations of the sun, the spinning of the year.  ‘There,’ she said, pointing at the altar. ‘What’s under there is the source.  The wellspring. This church, like so many others, was built on something much earlier, a temple…to the goddess.’

And then she led us down a narrow track to the village to meet Maria, a true kitchen goddess, a Demeter, who cooks food straight from her garden and serves it lovingly in her home to the few people lucky enough to be in the know.  Long peppers stuffed with deliciously piquant cheese and herbs; aubergines, tomatoes and bell peppers gorged with rice, onions and herbs; tzatsiki and fresh bread; Greek salad and, for the meat-eaters, spicy meatballs.  Total heaven. A million miles away from the standard tourist fare.

Eventually we waddled out to Brigitte’s house and workshop – with bundles of herbs drying in a shed, hanging from the rafters or stretched out on racks.  She makes all kinds of wondrous potions - teas, oils, ointments and tinctures.  It was hard to choose but I came away with Wellbeing elixir (“to give strength from within”) and Daisy tincture (“gives light to the body, soul and spirit”).  But really I wanted the lot. 
The herbs are mainly wildcrafted, harvested at precisely the right moment of the right day and made with total respect, love and dedication.
If you ever come to Lefkada, you absolutely have to find her.  Though if you’re a guy, you might want to bring a mate for moral support.   

And, if you can't come, you can still buy a little witchy magic, from Brigitte's website. :-)
AromatikaPhyta, Alexandros, Lefkada, Greece. 

Thursday, 8 December 2011

Eco-literature for teens? Can books help save the planet?

I wrote my teen novel, Walkerseveral years ago.  
It’s the story of a boy who dies and who comes back to life as a shaman, a walker between worlds. 
It’s aimed at the mid-grade/YA market (hard to be precise as reading tastes vary so much but I’d say if someone likes Percy Jackson, Michelle Paver, Rick Riordan etc., they should like this.)

Walker had an agent and did the rounds of publishing houses.  It also made it through to the shortlist of The Wow! Factor competition run by Waterstone's and Faber.  Yet, despite all this it never quite found a home.  It got onto the editor’s desk at Authonomy and the feedback I received from the editor at HarperCollins made me rethink the book quite radically. So I rewrote it. Rewrote it twice, actually.  Well, gazillions of times really, but ended up with two main versions – a ‘boy’ version and a ‘girl’ version.  Which appealed to me for all sorts of shamanic reasons.   

Cow Castle - built by pixies
So. Why Walker

Firstly Walker is set on Exmoor and really this place is one of my constant muses.  Can a place be a muse? I think so. There are just so many legends here; so much history and prehistory, magic and mythology.  Nature is so darn...elemental. Its mood shifts round every corner - whether on the wild bleak moorland, in the deeply forested combes, the swift running rivers, the crashing waves against cliff or sultry slap against shore. I wanted to try to capture/encase/enchant in words some of its tricksy, tempestuous, rugged charm (yeah, I like my muses like that). *smile*

Secondly Walker is about shamanism. 
I love shamanism. 
I wanna talk about it more, in more detail, later as it’s part of the Labyrinth. But, for now, for starters, think of a practice where you can journey into other worlds, other realms – where you can find spirit guides and animals; where you can go for healing, for self-knowledge, for wisdom, for inspiration, for education. It’s not always a gentle process. Spirits often play rough, pulling you apart before putting you back together. It’s a journey of self-awareness and also a journey of connection – with other people, animals, places, times. Above all, shamanism is about the Earth – and this brings me onto the third point…

Cos thirdly, Walker is about the Earth. It's got an underlying environmental plea for sanity running through it. It’s not a worthy book; it doesn’t ram points down your throat but it does have the life blood of the planet running through its pages.  

This is eco-lit…just as much as any fist-thumping non-fiction tome on climate change.

Fourthly, finally (fine ally), Walker is a yarn. I wanted to write the kind of book I loved as a child; the kind that lures you in and makes you turn page after page, reading by torchlight under the covers. The kind written by people like Alan Garner, Susan Cooper, Rosemary Sutcliff.  When I met one of my total heroes, Alan Garner, a couple of years ago, I told him that his book The Weirdstone of Brisingamen was my lodestone, my template for Walker. ‘Oh dear,’ he said. ‘Is that really a good idea?’ J Jeez, I love that guy. You've never read Alan Garner? For shame on you! 

Anyhow, there you have it. Walker is my paean to Exmoor, my homage to storytelling, my head-bowing to shamanism and my earnest hope that we can learn to love our world and respect it before we pull it to pieces.  

Did I succeed? I dunno. You tell me. One of these days I may get my act together and self-publish, in a lovely edition made from paper harvested from sustainable forestry of course.  In the meanwhile, if you happen to be an editor or publisher who likes the idea of this then...get in touch.  

You can read more about shamanism and the world of Walker on its own blog – here…
You can read the first few chapters here…
Oh, oh and, is this part of the Labyrinth?  Of course it is.